Ghosts and Flames


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They resemble floating flames and house the power of fire. After Luigi has the Fire Element Medal , he can shoot flames from the Poltergust after he sucked up one of these ghosts. He can use these to expose a Flash 's heart and destroy a Spark. If Luigi touches one in full size, it will set him alight, causing 20 HP of damage and making him shake his cap.

The only area where Luigi can come in contact with one at full size is in the Graveyard. Ice Elemental Ghosts are spirits that represent coldness, and they can mostly be found in cold places like freezers or buckets of ice. They appear like freezing clouds of fog. When Luigi obtains the Ice Elemental Medal , he can absorb these ghosts to enable the Poltergust to shoot a stream of icy mist. A Blue Blaze 's heart can be exposed by this element. If Luigi comes in contact with one at full size, he will take damage and be frozen and take 1 HP damage per second until he gets himself free.

But all that changed when she became engaged to a young man with a reputation for being hot-tempered. Indeed, the young couple was often seen in town having fierce arguments.

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Over time, the people of the town began to notice a change in the young woman. She never smiled anymore, and she began to grow cold and distant.

Housing in Oakland was cheaper than in San Francisco, which had grown preposterously expensive: The part of the city that had once housed techno raves and all the wondrous weirdness that spawned Burning Man itself was now home to tech titans like Dropbox, Reddit and Airbnb. In October the Oakland rental market was the 21st-most-expensive in the country. By December , it had leapt to fourth. One day, Harris was cruising for affordable housing when he saw a long craigslist post.

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A similar listing appeared on Facebook:. Harris took it.

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Where did these details come from? They came from conversations with Harris and Almena. Almena was a scrapper. He was handsome, a dark mustache and goatee on his butterscotch skin, lithe, even leonine, sexy in a way that makes you worry about the human race and its cross-wiring of attractiveness and danger. This is another evocative description.


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One thing that makes it compelling, I think, is that it boldly comes from a certain perspective yours. Did you always feel comfortable doing this? Do you have any tips on how to do it well? Emotion is a plus, in my view. Almena took out the lease for the warehouse in for an artist collective called Satya Yuga. I was like the new captain, the crazy captain.

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He intended to hold classes and art shows at the warehouse and rent it out for events. Was that by choice or because you only spoke to him briefly? And even then, he declined to meet with me at length. Santa Rita Jail allowed me to meet with Harris for two hours at a time, in the same kind of setup that inmates use to meet with lawyers small conference room, no guards present, no glass separating us, no shackles. This option was available to Almena — and I would have vastly preferred to talk to him that way.

But he declined. So we talked on the phone several times, and I visited Almena as a regular visitor, meaning we talked for 30 minutes through thick glass. Where did you learn it had been a milk-bottling plant? I believe from the East Bay Times. They did an incredible amount of reporting. Inside, Almena started building his dream world. He and the other artists subdivided the space with walls hodgepodged together out of amps, bits of bookcase, faded hanging rugs and carved Balinese wood panels.

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Almena lined a hallway on both sides with pianos facing each other, so people walking through could stretch out their arms and run their fingers over both sets of keys. This is a great detail. Where did it come from? Almena told me this.


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  7. Harris had taken a seasonal job color-correcting greeting cards. Each weekday morning he put on a dorky shirt and rode BART into San Francisco where, he told me, nobody talked about anything more interesting than which food truck they would go to for lunch.

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    A week or so after Harris moved into his sublet, he was commuting home from work when his cellphone rang. Did you fact-check this incident and the dialogue with Almena? Harris felt manipulated by the gift; saying no had not felt like an option. But the pirate ship was fabulous, and Harris started staying up nights refinishing it. But then he did. I wanted to end with Harris feeling really up.

    All this — Almena, the warehouse — felt like a beautiful dream for a while. That has to be established. By that point, the 10,square-foot space had become deliriously maximalist: drums everywhere, chandeliers everywhere, vintage typewriters, Indonesian antiques, Afghan rugs, early 20th-century shipping trunks, dozens of pianos and organs.

    The staircase leading to the second floor, set back 12 feet from the entrance on the right side of the building, was a campy surrealist take on a Louise Nevelson collage or a post-apocalyptic disaster, depending on your point of view. Is describing the staircase in such detail a conscious bit of foreshadowing? Is foreshadowing something you do naturally or add in later? I always knew that I had to describe the staircase in detail, so I think I wrote this early in the drafting process. It was actually a much longer description for a while, but it was sort of boring and confusing.

    The building had no heat. There were no fire alarms, no sprinklers, no emergency or exit lighting. What were your sources for all the description in this paragraph? Oh lord, so many different places. I had transcripts of all the preliminary hearings, and there was a lot of talk in those about the environment inside the warehouse. I had old photos.

    I also visited the warehouse while reporting, and you could still see burned remains of parts of the staircase, among other things.

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    Almena, who considered himself to be the father of the space, lived upstairs with his family: his wife, Micah Allison, and three dreamy, free-range hippie kids: Bolonik, Shai and Surya, then ages 11, 5 and 3. Allison, trained in dance, was serenely beautiful: raven-haired, tawny-skinned, a true testament to fertility, pulling off the title she gave herself — Mother Superior — and tribal belly dancing to the drum beats the collective made. The family had a proper kitchen, a big family bed topped with a canopy of sequined wedding shawls and a bathtub ringed with plants. The kids rode bikes and scooters around their loftlike lounge, which doubled as an event space.

    Where did you source the description of their space? Harris had a live-work studio on the first floor, as did most of 15 or 20 other residents — the number varied over time.

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